威尔第的歌剧作品《茶花女》在他的歌剧创作中占有重要的地位。十九世纪五六十年代,威尔第的创作题材出现了一次转向,更着重于突出剧中人物性格和精神力量。本文通过自己对这一咏叹调的作品背景分析,结合自己的演唱体会,对《永别了,过去的美梦》这一咏叹调做教学分析和设计,希望在教学中有一定指导作用。 Verdi’s opera “La Traviata” occupies an important position in his opera creation. During the fifties and sixties of the 1880s, Verdi’s creative theme turned to a turning point, with a more emphasis on highlighting the character and spiritual power of the characters in the play. This article analyzes and designs the aria of “A Farewell to the Past, the Beautiful Dream of the Past” through my own analysis of the background of the works of this aria, combined with my own experience of singing. I hope that it will play a guiding role in teaching.