电影是文化的构造物 ,无论从创作方面、观众的角度 ,还是接受传播的过程来看 ,电影的产生 ,理解和含义的获得最终指向的都是文化语境和背景。电影可以是顺应社会、历史、道德秩序和规范的产物 ,强化主流的政治意识形态 ,也可以反过来 ,在某种程度上解构并颠覆人类固有的知识谱系和权力系统。本文的内容主要从爱情的角度切入到电影文本内外 ,并联系观众接收学的因素和影响。因为爱情直接或间接地成为所有电影表现的主题 ,其中尤其是通过亲吻这一在银幕上极常见的表述方式来分析并阐释电影与文化的交互关系。银幕上的亲吻成为一个比喻 ,象征的是主体和所对应的文化秩序之间的关系。此外 ,另类的亲吻也会把主体对自我的意识同传统文化已经建构的性别身份和道德规范对立起来 ,从而起到颠覆作用 ,进而引发焦虑和不安。本文还分别引用了拉康的言论 ,充实并发展了爱情系统学 ,分析并拓展了性欲动力说 ;借鉴了德里达的延异概念 ,指出意义和解释的不确定性 ,即意义是由时间的推延和差异性构成的———所有要获得并解释意义的行为在达到某个特殊理解阶段时都会有一个被推延的过程 ,从而为爱情的模棱两可所产生的文化上的多重解释提供了解构性质的理论依据。另外本章还联系引用了“关心”、“礼物”和“牺牲”这些? Cinema is the structure of culture. No matter from the perspective of creation, audience or communication, the production, understanding and meaning of film are ultimately directed towards the cultural context and background. Film can be a product of conformity with social, historical, moral order and norms, reinforce the mainstream political ideology, and in turn can deconstruct and subvert human inherent knowledge pedigree and power system. The content of this article mainly from the perspective of love into the movie text inside and outside, and contact the audience to accept the learning factors and influence. Because love, directly or indirectly, is the subject of all film performance, in particular through the kissing of this very common expression on the screen to analyze and explain the interaction between film and culture. Kissing on the screen becomes a metaphor, symbolizing the relationship between the subject and the corresponding cultural order. In addition, alternative kisses also antagonize the subject’s self-awareness against the gender identity and moral norms that traditional culture has constructed, thereby disrupting and thus causing anxiety and anxiety. This article also respectively quotes Lacan’s remarks, enriches and develops the love system theory, analyzes and expands the motivation of sexual desire; draws on the Derrida concept of Derrida, points out the uncertainty of meaning and explanation, that is, the meaning is composed of time Deferred and differentiated - all acts of acquiring and interpreting meaning have a deferred process at the point of reaching a particular stage of understanding, thereby providing a deconstructive character for the cultural multiple interpretations of the ambiguity of love The theoretical basis. In addition, the chapter also refers to the reference “care”, “gift” and “sacrifice” these?