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艺术作为一种动态的历史性产物,一种独立的文化价值形态,一种特殊的精神生产,必然体现以人为本位的主体价值形象。讨论中国当代艺术观,离不开其生效的历史场景和社会语境。换言之,中国艺术在历史场景与社会语境之间找到谐和的增长点必须是建立在以人为主体形象作为基础。事实上,中国艺术在历史场景与社会语境之间出现了断裂,由此以人为主体价值形象亏空的先提,构成了一道难以逾越的鸿沟,也更加剧了人们内心深处的不安、骚动和虚幻感。一句话,中国当代艺术只有在历史积淀和现实背景之下,才能够建立起以人为本位的主体价值形象。
As a kind of dynamic historic product, an independent cultural value form and a special spiritual production, art inevitably embodies the people-oriented subjective value image. To discuss the concept of contemporary Chinese art can not be separated from its historical scene and social context. In other words, the growth point of Chinese art in finding harmony between the historical scene and the social context must be based on the principle of using people as the main body. In fact, the break-up of Chinese art between the historical scene and the social context leads to the insurmountable gap between man and the subject value, which aggravates the anxiety and commotion in people’s hearts And illusion. In short, only under the background of historical accumulation and reality can Chinese contemporary art establish the image of the subjective value based on people.