一个体性的文艺原理似乎特别适应于书法家。因为书法创作是一种个人的思维活动、实践活动。书法家可以在各种集体活动中获得审美观念上、技能上的补充,但是面临创作依然是排他的,是一个人的过程。在这个过程中,正是对个人艺术生存、发展意义上的发微,使每一位书法家有了审美价值判断,在作品中表现了独立的行为。 A physical literary principle seems to be particularly adapted to the calligrapher. Because calligraphy is a kind of personal thinking activities, practical activities. Calligraphers can gain aesthetic and technical supplements in a variety of collective activities, but in the face of authoring, they are still exclusive and a one-man process. In this process, it is precisely in the sense of individual art’s existence and development that every calligrapher has the aesthetic value judgment and his performance of independent acts in his works.