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抗战时期,早被称为歌舞之乡的云南兴起了一场抗日救亡背景下的戏剧运动。在这场主要应抗战宣传之需要的戏剧运动中,社会各界人士积极组织戏剧表演团体,包括话剧、京剧、云南地方戏等,参与戏剧演出;创办戏剧期刊与副刊,如副刊有《云南日报》的《艺术评论》、《南风》,《正义报》的《舞台与银幕》、《影与剧》,《益世晚报》的《戏剧》等,期刊有《综合艺术》、《影剧周刊》、《戏友》等,刊载戏剧作品及其它与戏剧相关的文章;创作戏剧剧本,可为代表者有《抽水马桶》、《野玫瑰》、《大地龙蛇》、《戚继光平倭记》、《小间谍》等;积极推动戏剧表演,影响较大者为《抗敌三部曲》、《孔雀胆》、《清宫外史》、《原野》、《野玫瑰》、《小间谍》等。抗战时期云南的戏剧运动既娱乐了民众,丰富了生活,又宣传了抗日,从更长远的角度来看,也培养了戏剧人才,其价值与意义值得深入思考。
During the war of resistance against Japan, Yunnan, once known as the hometown of song and dance, started a drama movement in the context of anti-Japanese national salvation. In this theatrical movement mainly based on propaganda needs of the war, people from all walks of life actively organize theatrical performance groups, including drama, Peking Opera and Yunnan local opera, to participate in theatrical performances; and create drama journals and supplements such as Yunnan Daily “Art Review”, “Southerly Wind”, “Stage and Screen” of “Justice”, “Shadow and Drama”, “Drama” of “Yi Shi Evening News”, etc. The periodicals include “Integrated Art”, “ ”Friends of the Opera“ and so on, published works of theatrical works and other theater-related articles; writing drama scripts, representatives for ”toilet“, ”wild rose“, ”earth dragon snake“ Little Spy ”; actively promote theatrical performances, the more influential“ Anti-Enemy Trilogy ”,“ Peacock Ghoul, ”“ Qing Palace History ”,“ Wilderness ”,“ Wild Rose ”,“ Little Spy ”and so on. During the war of resistance against Japan, the drama movement in Yunnan not only entertained the people, enriched life but also promoted the anti-Japanese war. In the longer term, it also deserved to train theatrical talents with worth and meaning worth thinking deeply.