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一、写生,美术的必修课外师造化,中得心源,古人便知写生与创作的关系。作为画家若不去深入生活,纵有再好的想象力与创造力,仍然无法创作出好作品,这是尽人皆知的道理。中外绘画史中的大师巨匠,他们的传世杰作,无不是在生活中反复写生而成就的。如范宽的《溪山行旅图》,徐悲鸿的《愚公移山》,李可染的《万山红遍》等,还有印象派的许多杰作,均来自写生。画家对景写生,如同武术家的短兵相接,在这一瞬间,武术家靠
First, the sketch, compulsory art teacher extra-curricular fortune, in the heart of the source, the ancients will know the relationship between sketch and creation. It is a well-known truth that an artist can not create a good work without being able to make a living in depth and with the best imagination and creativity. The great masters in the history of Chinese and foreign paintings, their masterpieces handed down, are all in life repeatedly sketching achievements. For example, Fan Kuan’s “Trip to the Mountain”, Xu Beihong’s “Yugong Yishan”, Li Keran’s “Wanshan Red Book” and many other Impressionist masterpieces come from sketch. Painters on the sketch, as martial artists close combat, at this moment, the martial arts by