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油画在中国伴随着中国的社会发展和中国的民族命运,经过种种艰难与困苦,在这块土地上生根、发芽和曲折成长,逐渐融入了中华民族的血液。作为一门世界性的艺术,油画有共同的标准,只是不同民族的创作者在表现内容与表现手法上彼此有差异而已。因此,我们考察油画在中国发展的历史,从理论上说也必须以油画世界性的共同标准去加以衡量。
With the social development of China and the national destiny of China, oil painting took root, germinated and tortuously grew in this land through various hardships and difficulties, and gradually integrated into the blood of the Chinese nation. As a cosmopolitan art, oil painting has a common standard, only the creators of different nationalities differ from each other in their content and manner of presentation. Therefore, when we examine the history of the development of oil painting in China, we must theoretically also measure it in the common standard of oil painting worldwide.