主持语:李一是一位学者型的书法家,有宽阔的文化视野,他行走于艺术理论、书画、诗文之间,是当代书坛和书法美术研究界的中年才俊。就书法而论,草书章门法严规正,令进者很难走出。而李一却深领章草的精髓,他的书法表现出章草的典型风神,同时又具有自己独特的创造,堪称化经典法度为清新意匠的楷模。今天我们大多数书画家未必能兼诗人。而李一则善于以人文的视角把对生命和自然的感悟赋诗成文,再由手中画笔转化为书法的意境,令观者可得卷轶之中洋溢出来的书卷气息。本栏目刊发李一新近创作的书法和诗作,意在给读者提供一个对照观看方式,一个艺术创造上会通与综合的启示。 Moderator: Lee is a scholar-style calligrapher, a broad cultural vision, he walked in art theory, calligraphy and painting, poetry and writing, is the contemporary calligraphy and calligraphy art research middle-aged talent. In terms of calligraphy, cursive rules and regulations are strict, so that the entrant is difficult to get out. But Li is actually the essence of deep-sea cap Zhang, his calligraphy shows the typical Fengshen Zhangshen, but also has its own unique creation, called the classic method of a fresh example. Most of today’s calligraphers are not necessarily poets. Li Yi, on the other hand, is adept at writing poems about the perception of life and nature from a humanistic point of view, and converting them into the artistic conception of calligraphy by means of brushstrokes. This column contains the latest calligraphy and poetry written by Li Yi. It is intended to provide readers with a comparative view of the way they are viewed and an enlightenment of art creation and communication.