一般认为传统社会政权的合法性乃是建立在暴力基础上,生活在这种政权下的人们,其最基本的情感倾向又往往被认为是恐惧,而不是荣誉或自由。因此,许多人想象我们古人的生活一定是压抑的,不堪的,蝇营狗苟的。但考之于中国历代画作、画家、画论,却发现完全不是那么回事。从东晋顾恺之到近代吴昌硕,从一件件传世作品中,看到的是作品背后作者或奔放或婉约或狂狷或圆融的人 It is generally believed that the legitimacy of traditional social regimes is based on the basis of violence. People who live under such regimes are often regarded as fears rather than honors or freedoms. Therefore, many people imagine that the life of our ancients must be repressive and unbearable. However, the test of the Chinese ancient paintings, painters, painting theory, but found completely not the case. From Gu Kai in the Eastern Jin Dynasty to Wu Changshuo in modern times, we can see from the pieces handed down from the works that the author behind the works is either a bold or graceful or crazy man or a man of harmony