随着大提琴演奏理论与教学理论的深入研究,演奏心理问题越来越受到人们的重视。“怯场”更是大提琴演奏者舞台表演中最大的敌人。音乐表演心理素质的培养与训练,对于演出成功与否具有重要的意义。本文从怯场的概念,影响表演中怯场的主观、客观因素出发,依据音乐心理学理论,提出克服“怯场”心理的几种方法,帮助大提琴表演者解决怯场心理,确保舞台艺术效果的正常发挥。 With the cello playing theory and teaching theory in-depth study, playing psychological problems more and more people’s attention. “Stage Fright ” is the biggest enemy in theatrical performance of cellos. The training and training of psychological performance of musical performance is of great significance to the success of the performance. Based on the concept of stage fright and the subjective and objective factors that affect stage fright in performance, this article proposes several ways to overcome the “stage fright” psychology according to the theory of music psychology, and helps the cellist to solve stage fright psychology and ensure the normal effect of stage art. Play