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说到夜曲很难不联想到肖邦,在查阅资料中,我们很难用结构性的语言来定义肖邦的夜曲。真正要给夜曲定义,也只能断定是对浪漫主义形式的一种无特定意义的创造和阐释。因此,在肖邦的夜曲作品中并非只有原本搜录的21首,才可以称之为夜曲。笔者通过夜曲中歌唱的缓慢旋律和戏剧的三段式对比等方面分析,发现肖邦的练习曲作品10号第三首(离别),也是一首极好的“忧郁式”夜曲,从而为我们更好认识和演奏肖邦的《离别》练习曲奠定基础。
When it comes to Nocturne, it’s hard not to think of Chopin. It is hard to define Chopin’s Nocturne in a structural language in accessing information. The real definition of nocturne can only be concluded as a non-specific creation and interpretation of the romantic form. Therefore, Chopin’s nocturne work is not the only nocturnal song that has been recorded in the original 21 songs. Through the analysis of the slow melody of the nocturne and the three-stage contrast of the drama, the author finds that Chopin’s third piece of Etude No 10 (Parting) is also an excellent “melancholy” nocturne so that We laid the groundwork for better understanding and playing Chopin’s Etude Etude.