一“主体”曾经作为一个光芒耀眼的概念投入当代文学。主体的提出让人重温到了文学的浪漫气质,重温到了文学的一种基本的人道主义精神。尽管许多人对于主体的解释、界说以及使用范围并不一致,但是,这个概念对于当代文学的基本涵义却不难阐明:主体的强调意味着人是文学的灵魂,人的存在是文学的起点、对象与终点。文学应当拒绝将人看作物——这不仅是指作家所虚构的主人公,同时也是指从事文学写作的作家本人。显而易见,主体理论衔接上了“文学是人学”这个由来已久的命题;而且,诸如个性、生命、无意识这些新兴的概念也 A “subject” was once put into contemporary literature as a glittering concept. The proposal of the main body reminds people of the romantic temperament of literature and revisits a basic humanitarian spirit of literature. Although many people do not interpret, define and use the scope of the subject in an inconsistent manner, the concept of this concept is not difficult to clarify the basic connotation of contemporary literature: the emphasis of the subject means that man is the soul of literature, the existence of man is the starting point of literature, Object and destination. Literature should refuse to see people as objects - not only refers to the writer’s fictional hero, but also refers to writers engaged in literary writing himself. Obviously, the subject theory connects with the long-awaited proposition “Literature is humanity”; moreover, emerging concepts such as personality, life and unconsciousness