随着社会的日益发展,现代女装设计更加注重体现女性的个性,把服装作为一种精神语言,全方位地诠译自我,这就要求设计师从文化的高度来审视服装。精神的需求,是要通过具体的服装款式来满足。服装语言主要是由款式结构来表达,而款式结构是形态构成的,探求服装形态的本质,乃是把握设计的关键所在。 一 服装形态的本质 众所周知,客观物质世界是运动的,世上的一切事物,无论从宏观到微观都处在运动的状态中。自然,作为构成服装款式的形态也是在运动之中,那么,何谓形态的本质呢?“所谓本质,是事物的内部联系,它由事物的内在矛盾所构成,并从整体上规定事物的性能和发展方向。形态的本质就是内力的运动变化,它规定着形态的性质和发展方向。”(辛华泉著《立体构成》)在这本书里关于力象的阐述。他又说:“在我国的传统造型艺术中,早就把表现内 With the development of society, the design of modern women pays more attention to the reflection of women’s individuality. As a spiritual language, clothing interprets itself in an all-round way. This requires designers to examine clothing from the perspective of culture. Spiritual needs are to be met by specific clothing styles. Clothing language is mainly expressed by the style structure, and style structure is the form of composition, to explore the essence of the form of clothing, but to grasp the key to the design. The Nature of a Costume Shape As we all know, the objective material world is a sport, and everything in the world is in a state of movement, from the macro to the micro. Nature, as a form of clothing is also in the movement of the form, then, what is the essence of the form? “The so-called essence, is the internal relations of things, it consists of internal contradictions of things constituted, and the overall provision of things and Development direction. The essence of form is the movement of internal forces, which stipulates the nature and direction of the form. ”(Xin Huaquan’s“ Three-dimensional Composition ”) expounds in this book about power phenomena. He added: "In the traditional art of plastic arts in China, we have long expressed ourselves