悖论,是新批评理论中的术语。笔者认为,悖论手法的运用不仅体现在诗歌语言上,戏剧中的悖论语言也极富张力。本文通过运用新批评派的细读式批评解读舒婷的《思念》和莎士比亚的《李尔王》,来证明文学作品中悖论手法的普遍意义与价值。 Paradox is a term in the new theory of criticism. The author believes that the use of paradox is not only reflected in the language of poetry, the paradoxical language in drama is also very tense. This article attempts to prove the universal meaning and value of the paradoxical approach in literary works by using the critical rhetoric of the new critics to interpret Shu Ting’s “thoughts” and Shakespeare’s “King Lear.”