一年前,读过新编历史剧《千古帝业》,掂剧本的份量,揣作者之匠心,深感题材的优势被占有,秦腔的特点被把握。然而,要进入“阵地”,“征服”观众,又谈何容易。两年来,重点剧目的选择,实验剧团的确立,就剧本谈创作的得失,就试演论“振兴”的成败,厌倦不满之情时时有之,其中囿于成法而食古不化,或以近视测量而空谈规范,不知凡几,耗去多少精力、钱财、时间。事凡引起谈论,值得高兴。然而,一味地离开舞台和观众来谈论戏剧,是解决不了多少问题的。戏剧艺术是创造美的,美是个活跃的精灵,存在于审美主客体的契合与共鸣之中。且 A year ago, I read the historical drama “The Era of Ancient Emperors”, the weight of the script, the ingenuity of the writer, the predominance of the theme, and the characteristics of the Shaanxi Opera. However, it is easier to say “conquer” the audience when entering “positions”. In the past two years, the selection of major plays, the establishment of experimental theater groups, the success or failure of rehearsal of rejuvenation or the resentment of resentment about the success or failure of script writing, And empty talk norms, I do not know where, consume much energy, money, time. Things that cause talk, deserve pleasure. However, leaving the stage and the audience to talk about theater blindly can not solve many problems. Theater art is to create beauty, the United States is an active genie, exists in the fit and resonance of the subject and object of aesthetics. And