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风光摄影应该分为两种,一种是表现大自然壮丽的,一种是表现内心情愫的。而Michal的摄影则属于后者,他的风景甚至都不存在于这个世界,因为这些都是Michal的心景,不存在于任何地方,只属于自己。景是心的写照Michal的风光摄影是自私的,或者说是强势的。他的照片并不是为了和大家分享某处的美丽,而是想感染观者,将观者拽入自己营造的世界。冷调的色温,秘境深处散射的一束光线,蜿蜒向远方的小路,飘散的云雾,让画面显得神秘、迷离、孤独、空灵,让人不知不觉深陷其中。
Scenery photography should be divided into two kinds, one is the performance of magnificent nature, one is the performance of inner feelings. Michal’s photography belongs to the latter, and his scenery does not even exist in the world because these are all Michal’s visions, which do not exist anywhere but belong to themselves. King is the portrayal of the heart of Michal scenery photography is selfish, or is strong. His pictures are not meant to share the beauty of a place with others, but to infect the viewer and drag the viewer into the world he has created. Cool color temperature, secret depth of the scattering of a beam of light, meandering to the distance of the road, the clouds drift, so that the screen appears mysterious, blurred, lonely, ethereal, people unwittingly sink into them.