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论布白。结众画为一字曰结体。结众字为一体,而布白之说生。结体为点画与点画间之关系,布白则为字与字间之关系。一纸之上,每字各有其领域。著字处为墨,无字处为白。墨为字,白亦为字。书者须知有字之字固要,而无字之字尤要。潘安仁《秋兴赋》有云:“行投趾于容迹兮,殆不践而获底。阙侧足以及泉兮,虽猿猴而不履。”夫人足所践,不过咫尺,然使人步武能安,不虞颠陨者,则
On cloth white. The knot-painting is a word and a knot. Words are one as a whole, and cloth white is a student. The knot body is the relationship between the pointillism and the pointillism, and the fabric whiteness is the relationship between the character and the character. On a piece of paper, each word has its own domain. The word is ink, no word is white. Ink is the word, white is also the word. The booker must know that there is a word and a word, but no word is necessary. Pan Anren’s “Autumn Festival Fu” has a cloud: “The line is aimed at the fortress, but it is not practiced and the bottom is reached. The squatting side and the springs, although the monkeys do not live.” The lady’s foot practiced, but not so close, so that If you are a person who can’t beat a person, you can’t beat the bumper.