详端张志强先生的草书作品,颇得古意,这断然离不开其古法的用笔。很显然,张志强先生所师法者乃是怀素以降的狂草一路。书法的技法与理论创新发展到六朝时期,其创作观念皆以“天然”说、“工夫”说为核心,而实践过程又皆以“心手合一”论为最主要的理论依据。而“二王”书风对书法艺术的影响无疑是最为重大的。从某种程度上讲,这种做法一定程度上限制了后人对自我本真的 Detailed Mr. Zhang Zhiqiang’s cursive works, quite ancient, which can not be separated from its ancient method of writing. Obviously, Mr. Zhang Zhiqiang law teacher is Huai Su to reduce the mad grass all the way. Calligraphy techniques and theories of innovation and development to the Six Dynasties period, the creative concept of both “natural ” said, “time ” as the core, and practice are “ Theoretical basis. The ”two kings " style of calligraphy on the impact of art is undoubtedly the most significant. To some extent, this approach to some extent limits the descendants of self-actual