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近一段时间,每隔几天就收到黄岩的“邮寄行为’的一件作品——没有信的信封,但信封的背面是信的内容,信封是特制的和复印的,可见他往全国各地寄出了不少这样的作品。如果仅以我收到的信来给黄岩的这次“邮寄行为”的内容作一个大致的分类的话,那么可以包括三方面:拓印作品、行为艺术报告和南行艺术行为报名。南行艺术行为也包括两个部分,一是沿途拓印行为的记录,二是南行的“文献’,即各种车票和票据,这些经过复印的“文献“不是印在信封的背面,而是装在信封里面。近两年来,不断收到黄岩的邮寄作品,但这一次是时间最长、时间密度最大、内容最为宽泛的一次(这次行动目前仍在继续)。在面对这种以信息传递方式的作品冲击时,我们不得不思考,黄岩的动机是什么?动机从何而来?
Recently, he received a piece of work of Huang Yan’s “mailing behavior” every few days - an envelope without a letter, but the back of the envelope was the content of a letter. The envelope was made-to-order and photocopied. Visiting him all over the country Sent many of these works.If only the letter I received to Huang Yan’s “mailing” content of a general classification, then it can include three aspects: rubbing works, performance art report and Southbound artistic behavior registration. Southbound artistic behavior also includes two parts, one is the record rubbing behavior along the way, the second is the “document” of the South Bank, that is, a variety of tickets and notes, these photocopied “document” is not printed In the back of the envelope, but inside the envelope. In the past two years, Huangyan has been receiving mailing works continuously, but this time is the longest, the most time-intensive and the most extensive one (the operation is still continuing). In the face of this impact on the way the work of information transmission, we have to think, what is the motivation of Huang Yan? Motivation come from?