论文部分内容阅读
当代水墨艺术,不仅在语言上发生重要变革,更为重要的是思想的活跃,但精神目标有丧失的危险,处处在发生危机、矛盾。水墨艺术在当代,不能再拘于山水、花鸟、人物的分科,它从这个意义上走到了现代,但并不是说山水画中大自然的精神不存在了。 中国绘画特质在用笔的方式,如果抛弃此点,将丧失大部分生命力。 在过程中,思维思路的角度使笔意感觉不同,传统绘画中,文化理想使笔意毫无犹豫状。所有艺术手段总有归途。想象中的形态与融汇,在与自然同步的形式原则中,追寻生命与文化理想。
Contemporary ink art, not only in the language of important changes, more importantly, the active thinking, but the spiritual goals are the risk of loss, everywhere in crisis and conflict. In the contemporary era, ink art can no longer be restrained by landscapes, flowers, birds and people. It has gone from modern to modern in this sense, but it does not mean that the spirit of nature in landscape paintings does not exist. Chinese painting traits in the pen way, if you abandon this point, will lose most of its vitality. In the process, the thinking and thinking of the point of view to feel different, traditional painting, cultural ideals so that hesitate without hesitation. There is always a way back for all artistic means. Imagine the form and integration, in the principle of synchronization with nature in the pursuit of the ideal of life and culture.