透视是绘画的基础课题,通常视为莘莘学子步入艺术殿堂的敲门砖。透视是写实绘画的技巧似乎别无异议,孰不知,就在今天当人的感性与自我意识在艺术中高度张扬之时,透视的理性法则与知觉现象也正渗透其间,我们只要对透视的内核和外延稍加扫描便会发现透视还有两种特质值得注意:一、在传统透视中透视的非写实性;二、在现代艺术中透视的表现性,这两种特质充分表示透视作为一种绘画语言,它在写实与非写实之间、在规范与自由之间,是可以相互逼近和切 Perspective is the basic subject of painting, usually regarded as the stepping stone to the art hall. Perspective is realistic painting techniques seem unobjectionable, everyone knows, just today when people’s sensibility and self-awareness in the art of highly publicity, the perspective of the law of reason and perception are also infiltrating the meantime, we only have to perspective on the kernel And epitaxial scan will find there are two other characteristics of the perspective of noteworthy: First, perspective in the traditional perspective of non-realistic; Second, the performance of perspective in modern art, these two qualities fully represent perspective as a Painting language, between realistic and non-realistic, between norms and freedom, can be approximated and cut