中国山水画与西方风景画虽形态各异,手法相迥,但内在的旨趣却是贯通的。对于中国画而言,“气韵生动”是与“道”贴近的;对西方绘画来说,揭示本真是对“存在”的认识与再现。“道”之空灵,需要艺术家对自我生存之境及生命方式进行深层次的体悟。而“存在”总是存在者的存在,故对存在的捕捉只有将自己放置于与物聚集的原初状态才有可能。一句话,艺术的世界就是人的生活世界的反映。“物之生也,若骤若驰, Although Chinese landscape painting and western landscape painting have different forms and methods, their internal purport is through. For Chinese painting, ”Vivid and Vivid “ is closely related to ”Tao “; for Western painting, revealing the true is the ”existence “ understanding and reproduction. ”Tao “ of the ethereal, need artists to self-survival of the environment and way of life for a deeper understanding. And ”existence “ is always the existence of existence, so the capture of existence is possible only by placing itself in the original state of accumulation. In short, the world of art is the reflection of human life. ”Health thing also, if the sudden Ru Chi,