如果说,一部小说的创作谈更多的是作品完成之后才逐渐明晰的话,那么对于一部电视纪录片,它的创作意图开初就必须相当明晰。因为文学创作从感性触动→想象→文字完成,与纪录片从理性指导→现场拍摄→后期编辑完成的过程,不是一种刨作类型——这是我这个从事专业文学创作的人的切身感受。《中华之门》播出了,它的优劣犹如一件产品,最终要靠观众检验.但我们却似掘完了一口井,尤其是纪实性纪录片,掘这样的井费时费力费脑筋,艰苦的创作性 If we say that the creation of a novel is more of a clarification after the work is completed, then its original intention for a documentary must be fairly clear. Because the literary creation from perceptual touch → imagination → writing is complete, and the documentary from the rational guidance → live filming → finishing editing process, not a planing type - this is my personal experience in the creation of professional literature. “The Gate of China” aired, its merits and demerits as a product, ultimately rely on the audience test.But we seem to dig a well, especially the documentary documentary, digging such a well-time-consuming and hard-headed Creative