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经典影片中的英雄形象不胜枚举,然而后现代主义的今天却是反英雄式的人物当道。本文立足于中国军事大片《集结号》与美国战争经典《父辈的旗帜》的对比分析,从三个层面探索了两部影片对反英雄的构建和阐释,以及对反英雄命运的反思。可以说,《集结号》的成功既是一次向后现代主义多元化文艺思潮的致敬,也是一次在世人面前对民族精神铿锵有力的展示。
Heroic images in classic films are numerous, yet postmodernism today is anti-heroic. Based on the comparative analysis of “the assembly” of Chinese military blockbusters and “the banner of fathers” of the American war classic, this article explores the construction and interpretation of anti-hero by the two films and the reflection on the fate of anti-hero from three aspects. It can be said that the success of the “assembly” is not only a tribute to the diversification of post-modernist literary trends, but also a sonorous demonstration of the national spirit before the world.