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依据习惯,这里的“近代”始于文艺复兴。题目中的“遥望”,一方面标识着这篇文章中相对于我们对19世纪以来艺术史写作的近距离“审视”,而对15到18世纪的艺术史采取遥望的方式予以观照,所以此文仅就其给出一个粗略印象而不作深究。另一方面也意指笔者对那个时代艺术史写作模式的评价,即那个时代的艺术史家其为史之意图是要在艺术和艺术家与一般民众之间造出距离,挖出鸿沟。其结果便是从民众中推出了天才,使天才基于“艺”而远于人。同时,
According to the habit, “modern” here begins with Renaissance. On the one hand, “looking away” in the title, on the one hand, identifies the close examination of the art history in the essay from the nineteenth century and contemplates the art history of the fifteenth to eighteenth centuries, Text only gives a rough impression of it without going into any detail On the other hand, it also means that the writer evaluates the mode of art history writing in that era, that is, the history of art historians in that era was intended to create a distance between the artist and the general public and create a gulf. The result is a genius introduced from the public, so that genius based on “art” and far from people. Simultaneously,