梅洛-庞蒂[Merleau-Ponty]在<眼与心>一文中谈道:“在绘画所诞生于斯的某种文明里面,在绘画所包容的某些信仰与动机,某些思想与仪式中,甚至就在绘画表现出是奉献给别的事物之时,从拉斯科洞穴壁画直到今天,无论纯粹还是不纯粹的绘画,是具像还是不具像的绘画,绘画所颂扬的千古之谜只是可见性之谜。”1而色彩无疑是绘画可见性之谜中最难以言说的东西。在古代,色彩现象就已被人类觉察到,只是因为它们太稍纵即逝 Merleau-Ponty said in his article Eye and Heart: “Some of the beliefs and motivations involved in painting in some civilization where painting was born, In the ritual, even as the painting showed something dedication to anything else, from the murals of Lascaux until now, whether pure or impure, are figurative or non-figurative paintings that eulogize the eternal Enigma is just a mystery of visibility. ”1 And color is undoubtedly the hardest thing to say about the mystery of paint’s visibility. In ancient times, the phenomenon of color has been humanly perceived, simply because they are too fleeting