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最近接触到已故江西著名画家彭友善先生的画作文章,其经历遭遇让我想起前几年曾在北京举办展览的吴一峰(1907-1998)先生。我挺欣赏吴先生的山水画作品,苍劲,有筋骨,与张大千、陆俨少诸子相比各有千秋。吴先生早年在上海这样的大都市求学,得余天遂指导书法,翁子勤、朱天梵传授篆刻,就学刘海粟等人,1932年则随黄宾虹自沪入蜀,受聘在四川艺术专科学校、东方美术专科学校任教,作品也远赴英国展览并被收藏。但1949年以后社会管制严格,在
Recently, I encountered a painting essay by the late famous painter of Jiangxi Province, Mr. Peng You-Shan, whose experience reminds me of Mr. Wu Yifeng (1907-1998) who had held an exhibition in Beijing a few years ago. I quite appreciate the works of Mr. Wu’s landscape paintings, vigorous, there are muscles, and Zhang Daqian, Lu Yan Shaoshu compared to different ages. Mr. Wu early years in Shanghai, such a metropolis to study, Yutian then guide calligraphy, Weng Ziqin, Zhu Tianfan taught carving, school Liu Haisu and others, 1932 with Huang Binhong from Shanghai to Shu, hired in Sichuan Art College, Oriental Art College Teaching, works also went to the British exhibition and collection. However, since 1949, social control is strict