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在戏曲电影历史上,“虚”与“实”的两组矛盾一直困扰着创作者们,电影《廉吏于成龙》以“摄影棚”的假定性,很好地处理了“虚实”问题,并在很大程度上实现了传统戏曲艺术与现代视听手法的融合。舞台灯光、场面调度、动作奇观、间离体验是戏剧与电影相交叉的结合部,在这些结合部上,导演充分发挥戏曲和电影各自的表现力,达成艺术上的和解,从而在新的层面完成二者的高度融合。影片既保存了戏曲原汁原味的美感,又张扬了电影独立的表现力,这为戏曲电影的发展提供了一个良好的范例。
In the history of the drama film, two contradictions between “” and “real ” have plagued creators. The film “Lian Li in Jackie Chan” is based on the assumption of “studio ” and handles it well The issue of “real and actual ”, and to a large extent, the integration of traditional opera art and modern audio-visual techniques has been realized. Stage lighting, scene scheduling, wonders of movement, distance experience is the combination of drama and film. At these junctions, the director gives full play to the expressive power of drama and film and achieves artistic reconciliation, so that on a new level Complete a high degree of integration between the two. The film not only preserves the authentic beauty of the opera, but also publicizes the expressive force of the film, which provides a good example for the development of the opera film.