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罗聘的绘画值得世人称道,其传世的指画却很少有人研究。罗聘的指画并非偶尔为之,从其中题跋也可见其指画技法是甲、指、拳、掌并用,下过一番苦功夫的。因此,本文从罗聘指画的师承、传世指画的相关考证,以及罗聘未将指画作为毕生创作重点的原因三个方面,粗略分析罗聘的指画。指画流派由铁岭高其佩创立并代代相传,作为扬州八怪的殿军,研究罗聘的指画,对于研究南方指画的流传及发展是有一定的意义的。
His paintings are worthy of the world’s attention, and his handed finger paintings are rarely studied. Luo’s finger painting is not occasional, from which the inscription can also see the fingering technique is a, finger, boxing, palm and use, had a bitter effort. Therefore, this article roughly analyzes Luo Ping’s finger painting from three aspects: the teacher’s instruction of Luo Ping’s finger painting, the relevant textual research on the finger painting, and the reason why Luo did not take the finger painting as the focus of his life creation. The genre of finger painting was founded by Tieling Gao Qipei and handed down from generation to generation. As the biggest army in Yangzhou, studying Luo Ping’s finger painting was of some significance for studying the spread and development of Southern Finger Painting.