自从人类创造出妖魔鬼怪之后,就有许多花妖狐魅奔波、拥塞于人世的路途上,并在与人的接触过程中,不断地接受人间烟火的熏染,慢慢地具有了凡世男女的性情。《聊斋》的舞台上就拥挤着身虽异物、情亦犹人的花妖狐魅,她们秉有凡人难得的自由和激情。在她们与凡世书生的情感遇合过程中,我们看到她们对书生的倾心关爱和无私惠顾,以及作为书生的蒲松龄投射于此的情绪记忆和精神寄寓。 Since mankind created demons and goblins, many flowers, monsters, and foxes have been jammed on the road to human life. In the course of their contact with human beings, they have continuously been subjected to the smoldering fireworks of human beings and slowly have the temperament of the worldly men and women. “Ghost Story” on the stage crowded with foreign objects, love is still Jewish flowers fox charm, they have a mortal rare freedom and passion. In their encounter with the worldly scholar’s feelings, we see their love and selfless devotion to the scholar, as well as the memory of emotions and spiritual projection to which Pu Songling, a scholar, projects.