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朱光潜诗论的实质是研究富于创造性的阅读活动,其核心内容是诗境,即情趣和意象的交融而创造的超时空的理想世界。“见”的创造性着重于意象,“诵”的创造性体现在情趣。朱光潜诗歌阅读理论给予传统诗论命题“意在言外”的内涵与特点以新颖的语言学的解释,用“无言之美”为读者的无限的想象活动奠定人生论、宇宙论的根基;又对诗歌理解活动中的难懂(隐)易懂(显)及情趣上的个别差异作了心理学的分析。超越朱光潜诗论,推进中国传统诗歌的理论研究,应当对建立诗学科学的形上学(宇宙论)、认识论(主—客关系)、语言论的基础及三者之间的错综复杂关系进行详实的论述。
The essence of Zhu Guangqian’s poem theory is to study the creative reading activities. The core content of poetry theory is poetic environment, which is a meta-space-time ideal world created by the blending of taste and imagery. “See ” creative focus on the image, “chanting ” creative embodied in the fun. The connotation and characteristics of Zhu Guangqian ’s theory of poetry reading giving the proposition of traditional poetic theory “intension outside the word ” ’ s interpretation of the new linguistic theory, laying the foundation of life theory and cosmology for readers’ unlimited imagination activities with "silent beauty Also made a psychology analysis of the incomprehensible (hidden) easy to understand (significant) and the individual differences in the taste of poetry understanding activities. To go beyond Zhu Guangqian’s poetic theory and promote the theoretical study of Chinese traditional poetry, we should make a detailed and detailed study on the metaphysics (cosmology), epistemology (master-guest relationship), linguistic foundation and the intricate relationship among them Discussion.