戏剧是生活的窗口,各种老妇人的艺术形象在舞台上的地位,无疑是必要的和不可忽视的。但在一些剧团(尤其是一些秦腔剧团),对老旦这个艺术行当,却没有得到应有的重视,行当中极少专工,以至在演出中形成了老旦行当明显的“缺苗断条”现象。一些青年演员一听到派自己演老旦,便哭鼻子闹情绪;排戏时,对其他 Drama is the window of life. The status of various old women’s artistic images on the stage is undoubtedly necessary and can not be ignored. However, some theatrical troupes (especially some of the Qin Opera Troupes) failed to receive due attention to Laodan, the art trade. There were very few special workers in the trade and even the phenomenon of “lack of seedlings and broken bars” . As soon as some young actors were sent to say their own old man, they cried and nodded with excitement;