画家张道兴好学深思,对画学画论常有独到的领悟,“随时取中,无过无不及”便是他对中国画精神的一种理解,也是他在创作上无论是内容还是技法表现上所把握的一种分寸感。他说这一思想导源于中庸学说,中庸之道是对自然规律和社会行为的主动、积极的把握,并具有很大包容性,张道兴在他的创作实践中注意依托生活、依托传统,山汲取、消化着外来艺术与兄弟门类艺术的养分,随时调整,不停顿地向前运动着、发展着,用他自已的话说,叫做“小步子移动”。他不偏执,不保守,在当代人物画创作领域,开拓出一片属于自己的绿地。 Zhang Daoxing painstakingly ponders on painting, painting and art often have unique insights, “ready at any time,” is his understanding of the spirit of Chinese painting, but also in his creation of both content or technique performance Grasp a sense of proportion. He said that this ideological guide stems from the theory of the golden mean. The golden mean is the active and active grasp of natural laws and social behaviors and is very inclusive. Zhang Daoxing paid attention to relying on life, relying on traditions and learning from his traditions , Digesting the art of foreign art and brotherhood art, adjust at any time, move forward without delay, with the development of his own words, called “small steps move.” He is not paranoid, not conservative, in the field of contemporary figure painting, open up a piece of his own green.