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抗日战争激发了人民强烈的民族精神,社会各界爱国人士都以各种形式加入了这场战斗,避难于重庆的傅抱石也不例外。傅抱石重庆时期的绘画题跋,标题多用篆书古字书写,体现了“希古”的民族精神,这一现象在同时期其他画家中是极为罕见的。更重要的是傅抱石绘画题跋的民族精神,体现了传统中国画在国家和民族危亡的特殊时期,书、画、文综合修养的这一优秀传统不能被切割。在今天民族文化复兴的和平时代,这一优秀传统更应该得到应有的继承与发扬。
The War of Resistance Against Japan inspired the people’s strong national spirit. Patriotic people from all walks of life joined the battle in various forms and Fu Baoshi, who took refuge in Chongqing, was no exception. Paintings and inscriptions of Fu Baoshi ’s paintings in Chongqing during the period of Qing dynasty were mostly written in ancient Chinese characters of seal scripture, which reflected the national spirit of “ancient Greek”. This phenomenon was extremely rare among other artists in the same period. More importantly, the national spirit of Fu Baoshi’s painting inscriptions reflects the outstanding tradition of traditional Chinese painting at the special period of national and national crisis. The outstanding tradition of comprehensive cultivation of books, paintings and texts can not be cut. In today’s peaceful rejuvenation of national culture, this excellent tradition deserves to be inherited and carried forward.