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结构篇点·线·面我们和导演、演员一道讨论剧本,往往会听到三个字的评语:“线不直”。这句话,局外人也许不甚了了,可是剧作者却会心中有数,这是言简意赅地点出剧本在结构上存在着这样或那样的问题。当然,所谓“线不直”只是概括而言,意见正确与否,还要看对方的具体分析,这且不必管它。不过从这里也可以说明,既然“线”的“直”或“不直”,足以影响整个结构的成败得失,那么,“线”在戏曲结构中占有极其重要的位置,当然也就不言而喻。
Structure points · Line · Surface We discuss the script with the director, actor, often hear the words of three words: “the line is not straight.” This sentence, the outsider may be missing, but the playwright will be aware of, which is succinctly point out the script in the structure of the existence of such or that problem. Of course, the so-called “not straight line” is only a general conclusion. Whether the views are correct or not depends on the specific analysis of each other. However, it also shows that since the “straightness” or “non-straightness” of the “line” is enough to affect the success or failure of the whole structure, the “line” occupies an extremely important place in the structure of the opera and, of course, it goes without saying Yu.