一、引言佛经中有“雪中芭蕉”、“火里莲花”的比喻。中国艺术史上关于王维“雪中芭蕉”的争论就打了一千多年的笔头官司。说的是他在大雪里画了一株芭蕉,一棵芭蕉如何能在大雪里不死呢?这就是历来画论所争执的重心。沈括的《梦溪笔谈》卷十七说他:“画物多不问四时,如画花往往以桃、杏、芙蓉、莲花同画一景。”这里的“不问四时”就是中国画当中呈现时间跨度的一个特点。唐代张询画“三时山”、扬州个园的四季假山也是这种典型。花鸟画当中常常将四季花卉画在同一幅画上,不同时令的 First, the introduction of the Buddhist scriptures have “snow banana”, “fire Lotus” metaphor. The controversy over the history of Chinese art about Wang Wei and “Banana in the Snow” hit a thousand years of written lawsuits. It is said that he painted a plantain in the heavy snow, how a plantain can not die in the heavy snow? This is what the traditional painting has been the center of gravity. Shen Kuo’s “Meng Xi Bi Tan” volume seventeen said: “paintings do not ask four o’clock, picturesque flowers are often peach, apricot, hibiscus, lotus painting a scene.” “Here ” do not ask four o’clock “Is a feature of the time span in Chinese painting. Tang Dynasty paintings ”Three Sands Mountain", a four-season rockery in Yangzhou Park is also such a typical. Flowers and birds are often painted in four seasons flowers in the same painting, different seasonal