2005年以来,博物馆对自身功能的定位从由上自下的传授模式向考虑到观众参与性的公益服务形式的转变。这首先便体现在叙事范式的转变上。我们可以尝试从以下这些国有博物馆的展览命名方式及陈列范式变化开始。1989年,“临淄齐国故都文物展览”(故宫博物院)1992年,“古代人马画展”(故宫博物院) Since 2005, the museum’s positioning of its own function has shifted from a mode of teaching from bottom to top to a mode of public service taking into account the participation of the audience. This is reflected above all in the transformation of the narrative paradigm. We can try from the following state-owned museum exhibition naming and display paradigm change began. In 1989, “Linzi Qiguo Gudu Cultural Relics Exhibition” (Palace Museum) In 1992, “Ancient Horse Painting Exhibition ” (Palace Museum)