当前对于《琵琶记》的研究,多局限于阶级视野下的研究。这些从单一而且现代性的维度思考,难免将遮蔽其文化价值的内质。本文主要结合文艺心理学的学科知识,站在传统文化的立场上,从阶级意识独断论的缺陷,呼唤“忠孝双全”的价值取向,“文化认同”对人世苦难的担当及“文化人格的建构”四个角度,对“关于《琵琶记》的批判”做另一个角度的批判,并返回到当时的文化创作语境中,从“文化人格”的角度重新对其进行理解和重构,最后达成对《琵琶记》新的理解。 The current research on Pipa is mostly limited to the study of class perspective. These thinking from a single and modern dimension will inevitably hinder the inner qualities of their cultural values. This article mainly combines the subject knowledge of literature and art psychology, standing on the standpoint of traditional culture. From the defects of class consciousness dictatorship, it calls for the value orientation of “Zhongxu and Duzuo”, “cultural identity” From the perspective of “the construction of cultural personality” from the angle of “cultural personality” from the angle of criticism of “Pipa” to another angle of criticism and return to the context of cultural creation at that time. Re-understanding and reconstruction, finally reached a new understanding of “Pipa”.