《大韶》原为东夷族乐舞,只在东夷族内部传承和修订。后华夏族的启出于政治目的,将其盗用并加以改造,从而形成两个不同的版本。这两个版本递相传承,一被商、陈、齐所继承,即孔子在齐所闻者;一被周、鲁所继承,即季札在鲁所闻者。另外,夏后启为《大韶》重新配制的乐歌——《九歌》,也被夏桀带到了楚地,成为屈原《九歌》的重要来源。 “Big Shao” was originally Dongyi music and dance, only within the Yi family inheritance and revision. After the Huaxia nationality started out for political purposes, it was stolen and transformed, resulting in two different versions. These two versions handed down the inheritance, a business, Chen, Qi inherited, that is, Confucius in the Qi smell; a week, Lu inherited, that quarter Zha in Lu smell. In addition, the summer after the Kai as “Da Sha” re-preparation of the song - “Nine Songs”, was also brought to the Chu, Xia Yu, Qu Yuan “Nine Songs” an important source.