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山西自古以来就是华夏文明的摇篮,有着深厚的文化积淀和文化传统,一直为我们时代文化的发展与创新提供着某种根源性动力。对我们尚农耕、惜水土的中华民族而言,文化的肇端和山水息息相关,我们的祖先在对山与水的自然依赖和人文点化中造就了中华民族的文化精神和山水诗、山水画等艺术形态,世世代代造就着我们的心灵。萌发于山西的古老文明生发、创化、流行于黄河、太行间的大山大水之中,它养育了我们的祖先,也养育了一代代的中华儿女。承载这种文明的皇天后土长久以来被视为中华民族脊梁的象征,成为我们精神依恋、情意牵系的对象。太行山几乎纵贯山西全境,它那绵延不绝的人文魅力和岿然壮美的雄姿自古就吸引着无数山水画家的目光。五代山水画家荆浩就曾隐于太行洪谷,将太行的神采气质转化为一幅幅美丽的图画,并在对真山真水的切实感悟中,总结出了著名的《笔法记》,为中国画学理论的建构作出了巨大贡献。尤为重
Since ancient times, Shanxi has become the cradle of Chinese civilization with its profound cultural heritage and cultural tradition. It has always provided some fundamental motive force for the development and innovation of our times. For the Chinese nation that still practices farming and loves soil and water, the origin of culture is closely related to the landscape. Our ancestors created the cultural spirit of the Chinese nation and the art of landscape poems and landscape paintings in the natural reliance on mountains and water and humanistic point Form, made of our hearts from generation to generation. The ancient civilization germinated in Shanxi germinal, Chuanghua, popular in the Yellow River, between the Taihang mountains and waters, it raised our ancestors, but also raised a generation of sons and daughters of China. The empire behind the earth carrying this civilization has long been regarded as a symbol of the backbone of the Chinese nation and has become the object of our spiritual attachment and affection. Taihang Mountain runs through almost all of Shanxi, its endless humanistic charm and magnificent majestic beauty has attracted the attention of countless landscape painters. Jing Hao, a landscape painter of the Five Dynasties, once hidden in the Taihang Hong Valley, transformed the temperament of the Taihang into a beautiful picture, and summed up the famous “calligraphy in mind” The construction of theory has made great contributions. Particularly heavy