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本文从一个较为宽泛的范围来使用“语言”这个概念，即不仅指文字本身，而且还包括文字按一定的构造法则组合而成的艺术符号——句子、句子群落乃至文本。重庆少数民族作家（诗人）他们处于一个十分特殊的语言背景中，一方面他们与自己的母语保持着一种潜在的联系，但另一方面他们却始终生活在汉语的环境中，并且他们的创作还深受西方文学文本的影响，因此他们对语言的感知是十分敏锐的，他们叙述语言符号系统的丰富与更新应是一个引人注意的问题；他们对语言符号的处理和创造，直接体现了中国当代少数民族创作正在走向成熟的一种文本叙述模式。
This article uses the notion of “language” from a broader perspective, not only the text itself, but also the artistic symbols of the combination of text and certain constructive rules - sentences, groups of sentences, and even text. Chongqing ethnic minority writers (poets) They are in a very special language context, on the one hand they maintain a potential relationship with their native language, but on the other hand they always live in the Chinese environment, and their creation They are also deeply influenced by the Western literary texts. Therefore, they are very sensitive to the language. They describe the enrichment and updating of the linguistic signs system as an attractive issue. Their handling and creation of the linguistic signs directly embody The creation of contemporary Chinese minorities is moving towards a mature textual narrative model.