什么样的言说是对音乐的最好的解释呢,或者说,我们应该如何用语言表达我们对音乐的感受呢,这个问题曾经困扰了我很长时间。后来,一个偶然的契机使我豁然了:对于音乐,即使是误读,但只要包含着内在的创造性,只要接受者敢于超越文本的限制,又有什么样的表达和言说是不可以的呢。因此,当读着“音诗文丛”的几位 What kind of speech is the best explanation for music, or how we should express our feelings about music in words? This question has troubled me for a long time. Later, a chance gave me an idea: for music, even if it contains inherent creativity, as long as the recipient dares to transcend the limitations of the text, what is the expression and the speech? So when reading a few of the “poems”