长期在戏曲剧院乐队工作的演奏员们大都了解,打击乐器因使用频率高,损坏情况相当严重。人们亦习以为常,把它看成是“正常损坏”。难道戏曲打击乐器的损坏真不可避免吗?在我看来,水平不同的打击乐器演奏者,不但在发音质量上有所差别,而且演奏者损坏的乐器的程度也大大不同。可见,打击乐器的发音与减少乐器的损坏,两者之间是相辅相成的。 Most of the performers who work in orchestra troupes for a long time now know that percussion instruments are quite damaged due to their high frequency of use. People are also used to it as “normal damage”. Is it really inevitable that the damage to the opera percussion instrument is inevitable? In my opinion, percussive performers with different levels not only differ in the quality of their pronunciation, but also the extent to which the percussion instrument is damaged by the performer. Can be seen that percussion instruments and reduce the damage to the instrument, the two are complementary.