在中国当代文学中,“工业题材”是一个在特定年代产生的具有特殊历史内涵的概念。从建国初草明的《乘风破浪》到新时期蒋子龙的《乔厂长上任记》,当代工业题材书写始终贯穿着构建民族国家的宏大主题和乌托邦式的理想激情,在很大程度上遮蔽了渗透在民间大地的苦难与悲怆。虽然在八十年代 In Chinese contemporary literature, “industrial themes” is a concept of special historical connotation generated in a specific era. From the “wind and waves” drafted out of the early days of the founding of the People’s Republic of China to the opening of “director Chou’s office” by Jiang Zilong in the new era, contemporary industry themes have always been permeated with the grand theme of building a nation-state and the utopian passion of passion, largely obscuring the infiltration Misery and sorrow in the private land. Although in the eighties