中国的书画发展到文人画阶段,虽然仍以技法作为依托,但从本质上来看,可以看作是一种个人的精神实践的过程。历代文人画家以山川丘壑、飞禽走兽、花草树木、人物万象为形质,以书法的点画用笔来塑造自己内在的精神,修养完善自身的人格。因此,《芥子园画传·山石》写道:“夫画者笔也,斯乃心运也,索之于未状之前,得之于仪则之后,默契造化,与道同机。握管而潜万象,挥毫而扫千里。”故而,笔墨非小道,它是中国文人价值的载体,也是情感的附着。中国传统的 The development of Chinese calligraphy and painting to the literati painting stage, although still based on techniques, but in essence, can be seen as a personal spiritual practice. The ancient literati painters use mountains and valleys, birds and beasts, flowers and trees, and figures of all kinds to form their own characters. They use calligraphy to create their inner spirit with pen and cultivate and perfect their own personality. Therefore, “Mustard Park Biography Chuan Shan Stone” wrote: "Fu painter Pen also, Si Naixin Yun, before the cable was not in shape, obtained after the instrument, the tacit understanding, with the same machine. It is a carrier of the value of Chinese literati and an attachment of emotion as well. Chinese traditional