施蛰存是30年代新感觉派的代表人物之一;徐訏是40年代在大陆,解放后去了香港,思想上西方现代文化道德观念对他的影响很深。施蛰存和徐訏在创作中借鉴西方现代派手法,尽管取向并不相同,但对于人性的细腻叙写和深刻剖析基本相似。本文探讨了他们的作品中如何深入到人性的深层,来揭示和描绘人物心理和主观体验,以及人类生命存在的意义。 Shi Zhecun was one of the representatives of the New Sensation School of the 1930s. Xu was a member of the 1940’s in the Mainland and went to Hong Kong after the liberation. Ideological and ethical values ​​of Western modern culture have a profound impact on him. Shi Zhecun and Xu Kui draw lessons from Western modernist techniques in their works of creation. Although orientations are not the same, they are basically similar to the delicate narration and profound analysis of human nature. This article explores how their works penetrate deeply into human nature to reveal and depict the psychological and subjective experiences of human beings and the meaning of human existence.