杨多:马这个形象最开始出现在你的绘画中,代表的是自我与本我之外的另一“我”。记得你说过,你是通过绘画来与自我交流的,即大我与小我的交流。然后你在绘画的主题中加入另一个对话的角色,也就是本我与自我的对话外,加入第三者,这就是马的形象的出现。那么这个第三者,他是否替代宗教或某种信仰,作为宗教或信仰的象征?张春旸:我在画马最初的时候,是在表现大我、小我以及更高状态,即无我的状态;马就是那种无我的状态,承载 Yang Many: The image of horse first appeared in your painting, representing another “I” outside of self and self. I remember you said that you are through the painting and self-communication, that is, the exchange of personal and personal. Then you add the role of another dialogue to the subject of the painting, that is, the dialogue between the self and I and the third person. This is the appearance of the horse’s image. Does this third person, then, replace religion or belief as a symbol of religion or belief? Zhang Chun-tao: When I first painted the horse, I was displaying the ego, the ego and the higher status, that is, ; Horse is the kind of non-my state, bearing