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中国古代戏曲理论,在经历了先秦到宋代的萌芽,发展到元明时期已经基本形成了较为规范化的戏曲意识形态,再经历明末清初,中国古代戏曲真正形成一种艺术表现形式和艺术流派。其表现形式主要突出在戏曲的创作形式、戏曲的表现手法和舞台表演形态上。中国戏曲是经过历朝历代的戏曲艺人不断的总结和变革而总结出的具有戏曲全面理论性的经验积累。尤其是在清代中晚期,中国戏曲已经发展到了它的鼎盛时期,无论在创作水平上还是
The Chinese ancient drama theory has undergone the sprout from the pre-Qin period to the Song Dynasty, and has basically formed the more standardized opera ideology during the Yuan and Ming Dynasties. After going through the late Ming Dynasty and the early Qing Dynasty, the ancient Chinese drama truly formed a kind of artistic expression and artistic genre . Its manifestations are mainly in the form of drama creation, opera performance techniques and the stage performance form. Chinese opera is a comprehensive theoretical experience gained through the continuous summary and reform of the opera entertainers who have been going through the ages. Especially in the middle and late Qing Dynasty, the Chinese opera has already reached the height of its heyday, no matter at the creative level or