《李亚仙》通过改变剧作结局,实现了意义的转换。但在悲喜转换的表层下,我们从爱与艺术的本真性角度来看,似乎隐约存在着某种可能与缺憾:社会意义的追求,一方面在转换批判视角的同时,也把人物内心的不自信清楚地表现了出来;而这样的设计从更深的层面上来说,则是我们剧作家本身不自信的体现,这种不自信进一步透露了我们艺术标准上的某种不自足。 “Li Yaxian” achieved the change of meaning by changing the ending of the play. However, on the surface of tragedy and joy, from the perspective of authenticity of love and art, we seem to vaguely have some possibilities and shortcomings: the pursuit of social significance. On the one hand, while transforming the critical angle of view, Not self-confidence clearly demonstrated; and such a design from a deeper level, it is our performance of the playwright itself is not confident that this further revealed our unconcerned artistic standards of self-supremacy.