通过分析解构田纳西.威廉斯的经典戏剧《琴神下凡》的情节、神话意象看待作家叛逆的宗教观以及宗教救赎的可能性与否,并在此基础上看作家如何建构其个人的宗教来替代传统的宗教,从而达到自我救赎的目的。 By analyzing the plot of deconstructing Tennessee Williams’ classic play Piano Desire, the mythical image of the writer’s rebellious religious view and the possibility of religious redemption, and on this basis, how the author constructs his own religion to replace Traditional religion, so as to achieve the purpose of self-salvation.